Mark Duplass returns as the enigmatic killer (variously known as Josef, Bill, etc.). Availability: Streaming on Prime Video in select regions.
. Each episode explores a different tape, documenting the killer's interactions with various unsuspecting victims he has lured under false pretenses The Creep Tapes
is a found-footage horror television series that serves as the third installment in the Creep franchise. Developed by Mark Duplass and Patrick Brice, the series premiered on Shudder and AMC+ on November 15, 2024. It expands on the lore of the eccentric serial killer known as "Peachfuzz" (Duplass) by showcasing individual "tapes" from his extensive collection. Series Overview Mark Duplass returns as the enigmatic killer (variously
This creates a horrifying metanarrative. The victims, professional videographers, initially think they are capturing a documentary. By the time they realize they are the documentary, it is too late. The film critiques the voyeurism of true crime culture—we, the audience, are complicit. We are watching the "tape" knowing a murder will happen, just as Josef wants. Each episode explores a different tape, documenting the
There was a pause. "I've been waiting for you," the voice said. "My name is... was... Jenkins. I've been dead for 20 years."
Mark Duplass returns as the enigmatic killer (variously known as Josef, Bill, etc.). Availability: Streaming on Prime Video in select regions.
. Each episode explores a different tape, documenting the killer's interactions with various unsuspecting victims he has lured under false pretenses
is a found-footage horror television series that serves as the third installment in the Creep franchise. Developed by Mark Duplass and Patrick Brice, the series premiered on Shudder and AMC+ on November 15, 2024. It expands on the lore of the eccentric serial killer known as "Peachfuzz" (Duplass) by showcasing individual "tapes" from his extensive collection. Series Overview
This creates a horrifying metanarrative. The victims, professional videographers, initially think they are capturing a documentary. By the time they realize they are the documentary, it is too late. The film critiques the voyeurism of true crime culture—we, the audience, are complicit. We are watching the "tape" knowing a murder will happen, just as Josef wants.
There was a pause. "I've been waiting for you," the voice said. "My name is... was... Jenkins. I've been dead for 20 years."