The central thesis of "Jazz Piano Voicings for the Non-Pianist" is that you do not need virtuoso technique to voice chords effectively. The text strips away the complexities of piano playing—pedaling, intricate runs, hand independence—and focuses entirely on the construction of chords.
: Voicings are designed to be repetitive to help users quickly memorize the finger combinations and the specific "colors" of each chord.
Leo was a composer. He could read Bach chorales with his eyes closed. But when Mark counted off the tune—a brisk rendition of "Blue Bossa"—Leo froze. His left hand went straight to the root of the chord on the beat, pounding out C, C, C, C . His right hand scrambled to find the third and fifth.
"Exactly," Mark nodded. "The guide tones. The DNA of the chord. If you play the root, it’s mud. If you play the 3rd and the 7th, it’s Jazz. Look at the diagram. Right hand. Thumb and index finger."
He looked at the PDF cheat sheet. He ignored the root. He placed his fingers on the 3rd and 7th of Cm7 (Eb and Bb). Then, he looked at the F7. The PDF showed him that he barely had to move his hand to get to the next chord.
The central thesis of "Jazz Piano Voicings for the Non-Pianist" is that you do not need virtuoso technique to voice chords effectively. The text strips away the complexities of piano playing—pedaling, intricate runs, hand independence—and focuses entirely on the construction of chords.
: Voicings are designed to be repetitive to help users quickly memorize the finger combinations and the specific "colors" of each chord. Jazz Piano Voicings For The Non-pianist Pdf
Leo was a composer. He could read Bach chorales with his eyes closed. But when Mark counted off the tune—a brisk rendition of "Blue Bossa"—Leo froze. His left hand went straight to the root of the chord on the beat, pounding out C, C, C, C . His right hand scrambled to find the third and fifth. The central thesis of "Jazz Piano Voicings for
"Exactly," Mark nodded. "The guide tones. The DNA of the chord. If you play the root, it’s mud. If you play the 3rd and the 7th, it’s Jazz. Look at the diagram. Right hand. Thumb and index finger." Leo was a composer
He looked at the PDF cheat sheet. He ignored the root. He placed his fingers on the 3rd and 7th of Cm7 (Eb and Bb). Then, he looked at the F7. The PDF showed him that he barely had to move his hand to get to the next chord.