(Original Sor Op. 35, No. 16) Focus: Position shifts and legato melody.
For classical guitarists, the name is synonymous with the instrument’s elevation to the concert stage. Likewise, Fernando Sor (1778–1839) is the quintessential Classical-era composer for the guitar. When Segovia put his pen to Sor’s 20 Studies (Op. 60) , he wasn’t just reprinting notes—he was curating a rite of passage. segovia 20 sor studies pdf