The final seven minutes of L’Eclisse constitute one of the most radical endings in cinema history. After the protagonists agree not to meet again, the film does not end. Instead, the camera returns to the meeting place (a water trough and a street corner) and observes the environment for seven minutes without the actors.
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Winner of the Special Jury Prize at the Venice Film Festival, L’Eclisse concludes Antonioni’s informal "trilogy of alienation" (following L'Avventura and La Notte ). It tells the story of Vittoria (Monica Vitti), a young woman who drifts through life and love with a quiet, restless melancholy. After leaving her older lover, she meets Piero (Alain Delon in his prime), a vibrant, materialistic stockbroker. They engage in a romance, but Antonioni isn't interested in the romance itself—he is interested in the spaces between the lovers. The final seven minutes of L’Eclisse constitute one
: A restless young woman (Vitti) ends a long affair and begins a tentative, often cold romance with a materialistic stockbroker (Delon). To write a comprehensive paper, you can find
The DTS-HD mono track is clean and crisp. While the film is known for its silences, the sound design is crucial—from the chaotic clamor of the stock exchange to the electronic hums of the modern city. The optional English subtitles provide a faithful translation of the sparse but significant dialogue.