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We want to see women who have failed and survived. We want to see women who have earned their anger, their joy, their libido, and their apathy. We want to see the romance of two 60-year-olds holding hands in a nursing home ( The Fabulous Four ), the horror of a grandmother who is actually a cult leader ( The Pope’s Exorcist ), and the comedy of a CEO who has to hide her hot flashes during a board meeting.

Evelyn smiled, the camera flashes reflecting in her eyes. The industry hadn't changed because it wanted to; it changed because women like her refused to leave the stage. annabelle rogers kelly payne milfs take son top

No. They will act. They will direct. They will produce. And for the first time in a century of cinema, the industry is finally pulling up a chair for them to stay. We want to see women who have failed and survived

Ask your audience, "Who is a mature actress whose work has moved you recently?" Evelyn smiled, the camera flashes reflecting in her eyes

For decades, the narrative arc for women in Hollywood was distressingly predictable. A young starlet would rise, shine brightly through her twenties and thirties, and then face a slow fade into obscurity, often relegated to playing the "mother," the "hag," or the villain. The phrase "women of a certain age" was often whispered with a sense of pity, implying an expiration date on talent, desirability, and bankability.