Rahul Bagga as Rajaram/Mastram and Tara Alisha Berry (in her debut role) as Renu. Genre: Fictional Biography / Drama. Release Date: May 9, 2014.
Beyond the pulp and erotica, the film serves as a critique of social hypocrisy
Unlike the glossy erotica of the West or the explicit nature of pornography, Mastram’s literature was text-only, written in a street-smart, humorous Hindi dialect. The Mastram movie 2014 fictionalizes the life of this shadowy figure—a man who hid his identity so well that even today, no one knows his real face or real name. The film treats him not as a pornographer, but as a reluctant chronicler of sexual hunger in a repressive society.
At its core, Mastram is a clever bait-and-switch. The film opens with the promise of titillation—a young man, Rajaram (a brilliantly understated Vineet Kumar Singh), works at a lumberyard in small-town Madhya Pradesh. He is the quintessential Hindi film hero : morally upright, quiet, and in love with a conservative girl, Radha (Tara Alisha Berry), who dreams of becoming an IAS officer. But when financial ruin knocks, Rajaram stumbles upon a goldmine: the insatiable, clandestine hunger of the local babu s and college boys for "forbidden literature."
Far from being a mere skin-flick, Mastram (2014) is a social commentary on sexual repression, the power of literature, and the birth of a legend in the Hindi heartland.